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Explaining my absence is probably the first order of business. As I mentioned before the end of spring semester is its own beast. Like the end of any other term it is hectic and stressful, but there is some additional dark magic at work in academy during the month of April. Every demand on your time, report to write, email to send, meeting to attend adds some kind of exponential weight and stress. Additionally this year as I trudged through April, I suddenly felt the significance of everything that has happened to me in the last two years. In many ways the stress, my mood, and my general exhaustion mirrored the way I felt as I finished my dissertation and approached graduation.
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Though I have been trying to post at least once a week, and this week has been slightly eventful, I haven’t had time to parse exactly what I want to say about it. There are some movie reviews floating around my head, personal revelations y’all probably don’t need to hear, and even local news events, the only thing there doesn’t seem to be is coherent thought and time to write about it all. This week instead of my ramblings, I will give you good writing … someone else’s.
Since December I have been on a poetry binge. In the last few months I have read four poetry collections and any others I come across. Here is one of my recent favorites from Anne Boyer’s collection Garments Against Women.
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In A Field Guide to Getting Lost Rebecca Solnit discusses the captivity narratives of the early American colonizers Cabeza de Vaca, Mary Jemison, and others. She is concerned with the captives who adapted, who created and stayed in the homes and lives they made inside these new cultures. She talks about the psychological and cultural metamorphoses that these transitions required. And, she discusses the way we perform these metamorphoses all the time. We grow, we change, without necessarily noticing.
“Sometimes an old photograph, an old friend, an old letter will remind you that you are not who you once were, for the person who dwelt among them, valued this, chose that, wrote thus, no longer exists. Without noticing it you have traversed a great distance; the strange has become familiar and the familiar, if not strange at least awkward or uncomfortable, an outgrown garment.”
This slow and incremental, every day change she calls a psychological metamorphosis. The captives she describes as having to go through a cultural metamorphoses, which she describes as “something of the anguish of the butterfly, whose body must disintegrate and reform more than once in its life.” The caterpillar doesn’t just magically reform into a butterfly, its body must first disintegrate, decay to feed the emerging creature. Solnit says “We have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning. Nor of the violence of the metamorphosis, which is often spoken of as though it were as graceful as a flower blooming.” In this book about getting lost, about losing oneself, I see Solnit’s point about the total transformation necessary to adapt so wholly to a new culture that you can’t return to your old one.
My desks always start out neat, organized, a clear space to work. As that work progresses the piles of things in progress develop, bills to pay, tax documents to be filed, books to be referenced or read, mementos pile up. The pink beanie baby bear a secret admirer gave me before I left my Haggen’s job. The stuffed lamb a dear friend gave me to keep me company during my hospital stay. Pictures I discovered going through my memory shoe boxes. These days three selves stare back at me from those pictures; and I am all of them and none of them.
A card the friend made for me, “The Three Faces of Brandy Brown (Seductress, Seductee, Seduced).” Two of the pictures cannibalized, probably by the ex-DH for one of his last minute birthday projects where sentimentality was supposed to make up for the lack of forethought. The picture of me, the Seductress, the only one remaining. Me hugging a good friend, chin to my shoulder, grinning, looking at the camera as if I’m daring it to try capturing all of me. The moment I thought I had emerged, newly formed, newly named, newly married and ready to unfurl my painted wings.
The photo-booth roll of Ouiser and I on a conference trip to San Francisco: our sunglasses on, laughing, having such a good time. I can’t remember if this would have been before or after our encounter with the Bushman, the street performer, or the one footed pigeon I named Percy. That was a very full day. In the third picture down we are both have our sunglasses up and are captured mid-laugh, and I honestly don’t know that there is a happier picture of me anywhere. This is the moment before, before the decay. Before grad school began the deconstruction and reformation of herself. Before the stroke. Before the unraveling.
Finally, the oldest. The snap shot of me at nine, though even then I looked old for my age, standing up from a picnic table, looking back over my shoulder as my Grandma Nina looks at me. My hair pulled tightly into a pony tail. My bangs the perfect length. I don’t remember the event or where the picture is taken, nothing seems familiar. I remember the shorts set I am wearing being one of my favorites, and that this was probably one of the last times I was able to wear it before outgrowing it. I know I kept the picture partly because of the amazing tan I have. I spend all of my Western Washington high school summers chasing this tan.
Judging from the timing, this picture was probably taken at some kind of going away event before we moved west. Maybe that explains my expression, the sadness in my eyes, though I don’t think that is it exactly. That girl has no idea where she will end up, no idea how far away from that tiny northern Minnesota town she will travel literally and figuratively. All that girl has ever known is growing up in a trailer, then a cabin, finally a house in town, parents who scraped by, aunts, uncles, and cousins babysitting, hotdishes to make meals stretch(tuna noodle, spam, and wild rice), and never really fitting in. Always being too much, too strong willed, too imaginative, too independent, too talkative, too smart. She doesn’t know that this is beginning of a period of decay and withdrawal. She doesn’t know this is where her family changes. This is where she will say goodbye to grandparents, where Aunts, uncles, and cousins will become strangers, where her home will become an awkward place, an outgrown garment.
However, it is also where she will learn to move, to grow, to re-build that family wherever she is at. It is where being too much, too strong willed, too imaginative, too independent, too talkative, too smart are the things that will sustain her. They are the things that will get her out of that west coast version of the Minnesota town. The things that will make her a reader, teach her how to make friends, and help her survive this move and all the rest. Every way that she didn’t fit will help her survive her marriage and divorce, help her earn her Ph.D., and give her the courage to face every new thing: illness, job, town, house. She may have outgrown that northern Minnesota life, but with every metamorphosis she steps further into the life that does fit. A life in which she is no longer too much and always enough.
A consistent theme throughout my post-divorce writing is the joy, revelation, and tension between the past and the present. The granola post probably captures the idea, and the joy of it, most clearly. The tension and the revelation are, I think, more diffuse. In my experience, they sneak up on me; the moments of the most joy and revelation in the present made more so by their inevitable contrast to the past. Moving through this past weekend, chronicling it with pictures that deliberately avoid faces, recovering from the bouts of laughter that left me breathless, I planned a joyful, celebratory post about the impromptu first party in my home, about old friendships, about bringing together old and new friends. Perhaps this post is still that, there is still joy and celebration, but all of that now exists in the contrast.
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My goal for my house has never been to have a particular look or style. Sure I have a weakness for mission style furniture and dark woods, but beyond that my tastes are fairly eclectic. Generally, it is good because randomly collecting hand me down pieces from friends and family is pretty much the only way I get furniture. The goal for my house has always been a feeling. From the first time to now, there isn’t a time when I have walked into Dr. Phoenix’s house without immediately feeling at peace and at home. In fact, it is her house and that feeling which started me thinking about welcome as much as it was the scholarly work in graduate school. It is the idea of welcome and the feeling I have in Dr. Phoenix’s home that I try to create as I pull together my new house. My scholarly work tells me that in order for me to create that sense of welcome for someone else I must first feel welcomed and at home in my own space. While it certainly isn’t all there yet, since I moved in back in August I have been trying to turn this house that I love into a home.
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Attending the regional conference for my profession, I reconnected with friends, attended a few panels and meetings, and then promptly let myself be lured away from the crowds, choosing a quiet beer with a few friends over the conference reception. Since I hadn’t seen these particular friends in at least three – four years, and this was the longest amount of time we’d all spent in the same place, I reasoned that this still counted as visibility. The next day I attended sessions, continued to meet with friends, and generally let myself follow my permission slip to be in the moment and accept the adventures that came to me.
I forget, sometimes, how powerful the permission slip can be. These days there is nearly always one in my pocket when I have one, tucked into my bra when I don’t. A mix of the things I most need reminding of, the messages vary and either wouldn’t make sense to anyone else or might seem banal: belong to myself, own my authority, be in the moment, shine, be rooted. Often I forget about them entirely until one slips out of my pocket when I reach for my lipstick or flutters to the ground as I get ready for bed in the evening. Permissions slips were certainly not on my mind when my friend and I entered our hotel bar that evening, which probably explains why I was ready and a little surprised at the adventure which followed. Picking up a guy in the hotel bar is probably about as banal as you can get for a somewhat newly divorced woman, so I won’t bore you with all the details. The only important elements were that it was fun for me, it counts as visibility, and as you can expect from me I’ve analyzed it all for every possible meaning and lesson. Don’t worry, I won’t bore you with all of those either.
Spring Break came this week, just in time. Reading Rebecca Solnit’s A Field Guide to Getting Lost seemed like a good start for a week in which I wanted to step away from all the pressure and exhaustion of this first year.
Solnit opens with a discussion of losing yourself, of the possibilities of an open door, and follows it up meditating on the blue of distance and longing. In the course of our evening, Magnum P.I. (as Dr. Mags dubbed him)asked me what I wanted. Inspired by the near anonymity of it all and the knowledge that I would never see him again, I surprised myself and told him. “As an academic, I want someone or something that shuts my brain off.” No, I wasn’t very articulate, but I’d had a couple of glasses of wine and it was the best that I could do to describe it. The permission slips might tell me it is okay to be in the moment, to accept the adventures, but they don’t turn off the constant assessing and analyzing, or the anxieties that come with it.
As she often does, Solnit seems to articulate my feelings better than I can. What I tried to describe to Magnum was the way I want to stop the assessing, the analyzing and truly lose myself in a moment. Solnit describes it:
To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Bejamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender, a psychic state achievable through geography.
Solnit and Benjamin are referring to losing yourself in your surroundings, whether city or country, hence the reference to geography. For me, right now, I am caught longing for the choice, for the ability to lose myself, that feels so far out of my grasp. I try. I walk around the lake to visit the heron. I pause on my bridge to feel the breeze, to watch the water ripple, to lose myself in that moment. I am stuck in the longing though, wanting to choose the surrender, but always too aware. Discussing longing and the blue of distant horizons, Solnit asks, “If you can look across the distance without wanting to close it up, if you can own your longing in the same way that you own the beauty of that blue that can never be possessed?”
Crossing the distance the blue we longed to find recedes to the next horizon, the thing or feeling we long to possess shifts and changes when we acquire it. Perhaps losing myself is a choice I make or not, but maybe it isn’t a choice that can be made in the moment. Yes, as I described I analyzed every moment from my night at the bar. I assessed and learned my lessons, hopefully. My brain worked and worked for the whole drive home. As I described my deepest longing to a stranger, though, I didn’t recognize that in a way I’d already gotten there. I was wholly there, in that moment, in the uncertainty and mystery of getting to know someone, of not knowing where the night would take me. My longing for someone or something to shut my brain off remained the beautiful blue of the far horizon; maybe, it, like that blue, is even something that can never be possessed. That night though, I was fully present and my brain was off; maybe that is how I can own my longing, learn to recognize how it can be fulfilled by my immediate surroundings.
There is a Big Thing due at work next week.
Naturally, this means I have barely started it, and am procrastinating with everything I can … even other work. Actually, that is not fair to me. The other work doesn’t stop and needs to get done, so it doesn’t really count as procrastinating.
The first plan included me working on the Big Thing over break. Well, last semester required a bit of recovery, and we all saw here that break had its ups and downs that required their own bit of energy.
The second plan included me getting the Big Thing done, or at least started, during the first week of classes. Well, the year that started out with such promise, quickly said, “No. Here’s your first major hurdle.” Oh, and by the way, that Todoist plan you have for what is going to get done this week, nope. Instead, you can have a minor work crisis to deal with.
At the end of last week, I mapped out a totally reasonable plan for getting the big thing done by the end of this week. I even put it in my Todoist! And, I still didn’t follow the plan. The good news is, I’m pretty sure I’ll still be okay, even with my Saturday in the ‘Boro trip. Today, I used Coffitivity and Pomodoro to get at least a good hour and a half of work done on the Big Thing. Of course, now I am rewarding myself with
more procrastination, I mean writing this blog post.
Did you catch that? The fact that the year isn’t even a month old yet, and already there are challenges. Yeah, I know I am not the only one. It is just that this week seems bent on twisting the knife from last week. I know, deep breaths, patience, I will get through it. Oh, and maybe I could start the post already, right?
One of my new friends at work goes out of town ALL THE TIME. Okay, that might be a slight exaggeration, but 2-3 weekends a month is not, not at all. Given my propensity to revel in the fact that these days I often come home on Friday, put on yoga pants, and see how long I can make it without leaving the house. You can imagine we have a lot of jokes about it, about being afraid to stand still, about patience, about always chasing new things, about me hibernating, being a little afraid of new things. You get the idea. One of the things my friend likes to do is go camping and hiking, which is cool because I invariably get to see the awesome pictures, and hear about the adventure.
In fact, it was my friend’s beautiful pictures that finally encouraged me to put aside my fear of the ticks and snakes and figure out where the trail next to my house led. I’m really happy I did because now, as I think I have mentioned before, I try to walk my trails around the lake at least once a week, weather permitting. The result is a contrast that I find interesting, because whenever my friend sends me pictures of new hiking trips I usually end up sending back pictures from my walks around the lake. All this is interesting because I think it captures a little of our joking. My friend chasing new views, new locations; and me, re-visiting the same place observing the changes. There is probably a lesson there for both of us, but I’m not ready to think to0 hard about it.
Today, another snow storm hit this area. After heading down to work for a couple of hours, I just barely made it home before it really started coming down. As I paced the house, knowing I needed to sit down and work on the Big Thing, and really NOT wanting to do it. I looked out the window at this, amazing for this part of the world, snow fall. Big, wet, fluffy flakes were falling like something out of a movie. I realized I was still pretty bundled up for work, so I threw on hat, scarf, and a good coat, and took off for my trail. I couldn’t make it all the way around the lake because the trail was a little too wet, but what I saw was magical.
First the little tiny creek, which is the first little bridge I cross when entering my trail. The pictures don’t really capture the snow falling, but it was breath taking. I live in town, so even though my walks around the lake give me the feeling of being in the woods because there are no houses around, I can almost always here traffic noises. Today, though, because of the snow almost everyone was off the roads and the woods were intensely peaceful.
Then there was my bridge. Yes, I call it my bridge. Like I said, since I found it I try to walk around the lake at least once a week, and I almost always start out thinking about the walks as visits to the bridge. Think what you want, but y’all know the Anne of Green Gables is strong with me, and I am prone to the personification of inanimate things. There are benches in the covered portion of my bridge, and when it is nice enough out there, I even bring my journal to sit and write. I’m hopeless.
Today, I walked across my bridge, marring that pristine snow, and looking back to marvel at my footprints. On my way over, I stopped to look back towards the city park at one end of the lake, and watched the ducks and geese swimming around in the snow. On my way back, the snow had intensified, and I turned in the other direction. Facing into the snow, feeling it fall and catch in my eye-lashes and on my nose, I marveled at the wonder and peace of it all.
Yes, the year already has a bump in it. The hardest kind of bump for me, actually, but whatever drew me out for a walk in the snow knew what I needed to see. The familiar made strange. The way the seasons shift. I began walking my bridge in October, as you can see from the first view above. The trees were changing colors, but the paths were still rich with vegetation. I watched those leaves complete their changes and fall, revealing the beauty of the bamboo and other undergrowth that remained green long into December. You might not be able to see it in the first picture, but my bridge undulates. It is full of warps. The snow covers over them all, but they are still there.
On the way back, as I stood there, a line from Watership Down came to me. When Bigwig (Thlayli in the book’s version of Lapine) is trying to escape with does from Efrafa, there is a massive storm with thunder and lighting. Unsure of where his friends are, trying to lead a pack of unfamiliar rabbits, and knowing that pursuit is not far behind, he is at a loss when he senses a message “It’s your storm Thlayli-rah, use it.”
Outside of the peace I felt, the happiness at being outside, at getting to witness something not many people will see, I am not sure how to “use” this snow storm. Standing on my bridge, watching the snow fall, listening to the quiet, just breathing, I realized I needed that. I needed a minute away from the pressure of the bumps, of the Big Thing hanging over me and shadowing everything I do. I needed the reminder that things change, and that sometimes we can only see that when we visit the same place over time.
This morning I sat down to do my last bit of reflection for the year. The word I chose to guide me this year was Discovery. While I have been conscious throughout the year of the changes in my life, which have certainly led to discoveries, it has also been hard for me to capture and articulate exactly what I discovered this year. On the whole, the year has been full of blessings and happiness: new job, new home, returning to old friends and making new ones. Each of those blessings also feels like it was punctuated with a challenge mourning, leaving friends, unexpected health issues, the House of Plagues. The year gave and it took away, not just for me, but everyone. I can see it in the explosion of “Me at the beginning of 2017 and Me at the end of 2017” memes on twitter. Many have made me laugh aloud, but this one is my favorite. Thanks for @morninggloria for posting this.
Yes, Catwoman has some serious faults and is in some ways a mess, but she also represents Selena Kyle’s ownership of her power. I sincerely hope that, even though this year put us through the wringer, we’ve come out of it recognizing the power that we can carry in to the new year. Maybe that is just my hope for myself.
After reading through my journals, feeling the pride and power of all that I have made it through and laughing at my often silly mistakes, I ran to the grocery store. Walking into Aldi I texted Ouiser, “I’m going into Aldi with only a half formed list. This could be dangerous.” Sure enough, I did succumb to a couple of impulse purchase in the Aisle of Random Shit. The checkouts were a little backed up as always, and as I stood in line I played on my phone until I noticed it was time to start loading my stuff onto the belt. As I loaded, I noticed someone come up and hug the woman at the register. A little later the same woman walked out, and I noticed her eyes were a little teary and red. The old man ahead of me checked out, and I noticed the cashier subtly dab her eyes.
Given how much y’all know I get annoyed with random people talking to me, I have no idea what possessed me. Once my transaction was complete, I looked at this woman I have never met before, and said, “Do you need another hug?”
To my ever-lasting shock she said, “Yes.”
She stood up from her stool and we embraced. A full embrace in which we both fully engaged, my eyes teared, and I know my voice was a little shaky when I quietly said, “Happy New Year.”
We barely looked at each other as I pushed my things away, loaded my bag, and left the store. For me, I know that was self-preservation, because as soon as I got to the car, I teared up for real. I don’t know what the situation was, and I certainly hope my “Happy New Year” wasn’t grossly inappropriate. What I didn’t know at the time, but realized in the car whatever the situation, I needed that hug as much as she did.
There are far too many ways I can parse and analyze why I needed that hug, but the simplest is this: one of the greatest struggles of this year has been the way it has worked to disconnect me. Sure, some of those disconnections have been positive. Reading through my journals was a wonderful window into how I have managed to disconnect from my ex-husband in very healthy ways. In other ways though, I’ve been re-located at work, and at home (twice). I fight constantly to find a balance between my need for the solitude to heal, and the new connections I need to make to really adapt to this place. The biggest tension of the year is how grateful I am to all the friends who never left my side and supported me through all of this, and how wholly alone I have felt at times.
Offering to hug a stranger and the comfort I took from that connection, they were my final act of defiance and resistance to this year of disconnection and isolation.
I don’t know anymore than anyone else where this year will take me. That is okay. What I do know is that I have claimed it as another year of Visibility and Vulnerability, so it will be a challenge. The words I claim for my years guide me, and I can usually easily see the work I do with them. This year, as with many others, my words came to me early, and I have been preparing for the challenges I know they will present me. The challenges will be real, but I feel prepared to take on the visibility and vulnerability in all their forms. I haven’t prepared for connection, but after today I think it is going to make its way into everything in the coming year.
I probably won’t make hugging strangers an everyday practice, but it was everything for today. I sincerely hope that woman took as much from it as I did.
In general my approach to the challenges life throws my way is put my head down and just keep moving forward. “The only way out is through it” has been my guiding principle since before I could articulate it. The difficulty with this approach is that it requires some pretty hefty armour and deflection. A lot of my energy is used up putting off tears until later. Unfortunately, then when I get to “later” it is often difficult to let myself feel the feeling and get those tears out. I need a catalyst, at least this is my explanation for why, when I feel the most depressed and out of sorts, my first instinct is to find the music, movie, or book that is going to depress me the furthest.
Going through my first major break up I listed to the Jayhawks’, Hollywood Town Hall and Tomorrow the Green Grass, non-stop for a good two weeks. The Hours is my go to, “I need a good cry movie.” The ex-husband used to joke about hiding all the sharp objects whenever I suggest I needed to watch it. Even now, when I have gotten a lot better about practicing vulnerability and letting myself feel those feelings, when I am at my lowest it will typically show in the music I’m listening and the films I am watching.
Lori McKenna is the current sound track to my heartbreak. Pandora’s algorithm put her into my Neko Case station and there wasn’t a song from Bittertown or her earlier albums, that didn’t capture what it felt like to live through those last years of my marriage. These days I take it as a good sign that during my daily commute concerts in the car, I often find myself skipping the tracks I felt most deeply during those years, like “If You Ask,” “Swallows Me Whole,” or “If He Tried.” The strength, joy, tenderness, and struggle I have in this new life requires something different. Elvis Costello, Soundgarden, Neko Case, and the songs that Ouiser, who is the Queen of all mix-tapes, put on my divorce albums.
Film wise well, it is no secret that I have been binging on Hallmark Channel stuff this year. It started with “The Good Witch” and “When Calls the Heart” binges on Netflix while my cable was paused. When the cable turned back on, I descended into the cozy mystery movies, desperately wishing I could be Aurora Teagarden; and by the Christmas in July event, when I needed every escape I could find from the House of Plagues, I knew I had a problem. Not only was Hallmark practically the only channel I watched, I’d started to dissect and analyze the films. Good dialogue, but no chemistry between the leads. Chemistry between the leads, but nothing can make up for the ridiculousness of this plot. To this day I give myself a pat on the back for refusing to watch anything that involves someone secretly falling for royalty. (What? Even I have my standards!)
This holiday season the number of people watching Hallmark channel movies to escape the reality of this horrible, rotten, no good year is great enough that a number of think pieces have circulated, and SNL even did a great skit about the movies. (Yes, Canadian Handsome is a thing.) Last week, though, hanging out with friends and new acquaintances from my adopted neighborhood, I was surprised when someone admitted they also watch Hallmark movies, and justified it by saying, “Sometimes you need something to turn the day around.” Beers were involved in this particular hang out session, so who knows what exactly was said, but it was something to that effect. My surprise wasn’t actually that someone else at the table was also watching, and recording, Hallmark movies. We all need an escape every now and then. I have often characterized my watching of Hallmark movies as blatant escapism, fluff for a brain that just doesn’t want to think about things anymore, in that moment my surprise, however, was that I realized escapism wasn’t the only thing I wanted from these movies.
In what I am coming to realize happens more often than not when a large group of friends, some married some divorced, get together, someone inevitably asks, “Would you do it (fall in love / get married) again?” My fellow Hallmark aficionado replied quickly with, “Yes. Absolutely. I still believe in it.” I deflected my answer and shifted the conversation. At this point, just beginning year two and barely dipping my toes in the dating pool, I want to believe, but I am not sure I do. I want the romance I see in the Hallmark movies, and that is my escape, but it is also the thing that will undoes me. My current favorite Christmas movie is the Mistletoe Inn. There are a lot of stupid reasons it is my favorite, but one is a moment when after a brief snow ball fight, David Alpay and Alicia Witt end up in a snow bank. They look longingly at each other for a few seconds, and then he reaches over and pushes a lock of hair behind her ear. It is a mid-movie scene, which means the moment is broken and nothing happens. That gesture though, I physically long for it, and I want to believe it will happen again. Every few weeks, when driving home from work I find myself running my own fingers through my hair a little more than normal and singing along with a little more feeling to the pre-divorce songs, I know I need a romance fix and it is going to be a Hallmark movie night.
Those nights, though, they start out soothing, but most often end differently. The romance fix also bursts the bubble, forces me to confront the emotions I’ve been putting off. On at least one, I shut the tv off mid-movie, cleaned the kitchen, and went to bed. Single life is so glamorous. As I have already said, this season is hard. Part of what makes it hard is the reflection, the thinking back about what was, while also trying to imagine a future. Trying to remember the story my ex-husband and I prized, the one of fated meetings, and an elopement that seemed to come straight out of a Hallmark movie. Trying to believe that someday, hopefully not in a snowbank, someone will reach over and tuck my hair behind my ear, or let their hand keep moving and run their fingers all the way through it. This morning, as I tried to figure out my Hallmark movie phase beyond the escapism, beyond the way they hold out a glittery and idealized image of romance, I realized that in a way the Hallmark movies are my old pattern. When I am low, or craving something, find the thing that is going to make it worse. The glittery, ideal, storybook romance isn’t just aspirational it is reflective. It reflects what I thought I had, and makes me see what was never really there.
One of Lori McKenna songs that I cherished pre-divorce, “Don’t Tell Her,” illustrates this even better. In the song there is a line, “I can’t stand the thought of anyone knowing me the way you do.” Pre-divorce this line represented all the time I’d put into my marriage, all the history, and captured the way I couldn’t imagine finding that with anyone else. What I can see now, as this year forces me to reflect on everything, is that my ex-husband never knew me that way. The Hallmark movies, where people know the perfect gifts to give, the perfect things to say, and the perfect moments to reveal their feelings, they also make me confront the reality that what I thought was deep love and connection didn’t end up that way. That if it is true my ex-husband never really knew me the way I wanted him to, then it is also true that I never knew him the way he needed me to.
“Would I do it again?”
“Do I really still believe?”
I want to say, “Yes. Absolutely.” I just don’t know that I can, yet. Maybe after a few more Hallmark movies, I will.